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Consisting of chamber works for various combinations of classical and modern instruments (violin, viola, cello, live electronics, vibraphone, frame drums, electric bass, acoustic guitar, etc.
Please, answer the questions below to help us make m better!Divenire 2006, music sales, contact, una Mattina 2004, music sales, contact, i Giorni 2001, bMG Ricordi, eden Roc 1999, bMG Ricordi, le Onde 1996.The Best Of 2003, music sales, contact, nightbook 2009, music sales, contact.Our team goes through users' feedback to ensure we found the best way to grow and develop the product.Nightbook succeeds most fully when it embraces that mood of shadowy mystery: pieces like "The Snow Prelude.It's like a dream - anything may 49ers coaching staff 2009 happen." Although such language may sound like it has little if anything to do with music, it communicates the mood of this album as well as can be done with words.Italian pianist and composer, ludovico Einaudi describes his album, nightbook in this way: "A night-time landscape.What new capabilities would you like to see for MuseScore?2" and the almost pointillistic "The Planets" use spacious arrangements and relatively minimal melodic foundations to create deceptively simple-sounding soundscapes of ravishing beauty.A few stars dotting the darkness above, shadows of the trees all around.
Einaudi tries to rock out, the results are a bit shakier: "Lady Labyrinth" suffers from blocky rhythms and a simplistic, rather than simple, chord progression - it ends up sounding like your uncle the piano professor trying to identify with the younger generation's music.What, if anything, do you find frustrating or unappealing about Musescore?A garden faintly visible under the dull glow of the night sky.Light shining from a window behind.Piano scores : In a Time Lapse 2013, music sales, contact, islands 2012, music sales, contact.What I can see is familiar, but it seems alien at the same time.BMG Ricordi 2013 - Ludovico Einaudi - All Rigths Reserved.What do you like best about MuseScore?The vast majority of these pieces are spectacularly lovely, though, even as they gently deceive the listener with surface simplicity).